Guided by her longtime companion, the anthropologist Edmund Carpenter, she has acquired a formidable collection of objects from tribal cultures - Peruvian feather hangings, Polynesian sculptures, Eskimo carvings, masks by Northwest Coast Indians. While the de Menils' collecting and museum-building activities have been enthusiastically compared to those of the great Medici patrons, perhaps a more apt contemporary analogy is with the Rockefeller clan, which entered the art field in the early part of this century. Her ideas are defended by her son-the-architectural-student. With the guidance of the Dominican priest Marie-Alain Couturier, who introduced the de Menils to the work of artists in galleries and museums in New York, they became interested in the intersection of modern art and spirituality. Philippa - called ''Phip'' by intimates - the mother of two, is probably the closest heir to her mother's ''spirituality,'' and has her good looks and unpretentious manner. Soon, Rice was a beehive of arts activities. The Menil Collection's discreet, low-key architecture befits its site in Montrose, a modest, socially mixed residential area of Houston. Plans called for Bob Dylan to sing at the service, but he was unavailable, and a tape was played of John's Dylan favorites. ''If only my father could see him now,'' his sister Adelaide has remarked proudly. Says Dominique, ''The idea of the foundation was marvelous, and they've done great things. They have sold off a good deal of it over the years, and diversified their holdings. Philippa de Menil. Philippa de Menil New York. [1] American Sufi leader (5) Philippa (Anne Caroline Philippa de Mnil) (born June 13, 1947) - A co-founder of the Dia Art Foundation. [1], The Menil campus also includes the Byzantine Fresco Chapel. I wanted a wooden one.''. [32], Dedicated on June 7, 1987, the Menil Collection exhibits objects from John and Dominique de Menil's collection, including selections of African Art, a vast collection of Surrealist pieces, and the work of a number of contemporary American artists such as Jackson Pollock, Barnett Newman, Clyfford Still, Robert Motherwell, Cy Twombly, and Mark Rothko. [8][9] De Menil credited dealer and adviser John Klejman with shaping their tastes in African and Oceanic objects, saying that he "made buying African art very tempting". Easily the most spectacular residence is Francois's, built a few years ago on seven acres of expensive East Hampton beachfront as a vacation retreat from his handsome Manhattan apartment. Photography became an important component of the collection, which includes works by Eve Arnold, Henri Cartier-Bresson, Danny Lyon, Hans Namuth, and Eve Sonneman. Rites were performed not only by a Catholic prelate, but a black Baptist minister, a rabbi, and a Buddhist priest. Under a five-year plan negotiated with Rice, the de Menils took with them the art library and many of the staff members they had recruited for St. Thomas. So hooked were they that, ''We went crazy,'' says Dominique. In return for her efforts, the Holy Bishopric of Cyprus allowed the works to remain in Houston on a 20-year loan. Until very recently, Christophe also had a sizable house in East Hampton, but it burned down during Hurricane Gloria last fall. This is a digitized version of an article from The Timess print archive, before the start of online publication in 1996. They hated the result, and hid it away. Collectively, they have disbursed tens of millions of dollars for purchases, commissions and general support of art - contributions, to be sure, that more than occasionally have been attended by an impulse to control. Designed by the architect Charles Gwathmey and built at a reported cost of $6 million, the house - called ''Toad Hall'' by its owner - is a fantasy version of a luxury ocean liner, with a three-story greenhouse, screening room, game room, exercise salon, wine cellar and the obligatory swimming pool. [1] She was awarded the National Medal of Arts in 1986. The building was designed by architect Francois de Menil and mimics the original Lysi chapel. The platform roof comprises precision-made structural elements of ferrocement and steel, engineered so as to reflect changing light conditions with great sensitivity. tion in 1974, run by Philippa de Menil, Heiner Friedrich and Helen Winkler. ''She feels a museum is all about interior spaces. Sheikha. ''Ted really started it - he saved an old house that was going to be demolished, and so we bought the land,'' she says. When the de Menils acquired the sculpture in 1968, the year the Rev. But, he says, ''I was fortunate to be exposed to their interest in art as part of the natural fabric of life. Philippa de Menil New York. Friedrich and his then wife Philippa de Menil, together with Helen Winkler, established the Dia Art Foundation in 1973. (One takes off one's shoes on entering.) For years, she has quietly but wholeheartedly backed the work of such performance artists, dancers and musicians as Robert Whitman, La Monte Young, Robert Wilson, Twyla Tharp, Philip Glass, Trisha Brown and Terry Riley. In fact, its long, low bulk looks more like, say, the suburban branch of an elegant department store. [1], The de Menils, however, did not limit their acquisitions to modern art, and their eclectic tastes became a hallmark of their collecting practices. News Dia Sues Dia: Founders Try to Stop Art Auction. De Maria has a long history with Dia, having been one of the first artists in its collectionwhich was begun by Philippa de Menil, Heiner Friedrich, and Helen Winkler in 1974and a pivotal player in the institution's history. In 1980, the woman she was had become a Sufi dervish named Fariha al-Jerrahi, and when the house of Dia fell, she moved on. Although family members say that the decline has affected them ''minimally,'' Dominique de Menil notes, ''A lot has been eroded. Institute of Religion Accepts Controversial Broken Obelisk.. But we are definitely a collection of people very much influenced by John and Dominique. [31] The result was a museum that appeared "small on the outside, butas big as possible inside". At one of them he met and influenced Philippa de Menil, a member of a famous Franco-American family of art patrons, and her German-born husband. ''It was the most extraordinary thing that ever happened in Houston.''. Modern Reliquary: In a New Houston Museum, Francois de Menil Crafts an Authentic Setting for Two Byzantine Frescoes., Last edited on 16 December 2022, at 21:42, Houston-based oilfield services corporation. ''I'm extreme and I have strong tastes,'' says Christophe, who is also an excellent though unexhibited photographer. (Brought up a Protestant, she converted to Catholicism to marry John.) Dominique, who was courted by other cities, says that the museum is in Houston because ''I was so encouraged here.'' she asked, in genuine surprise. ''Christophe and I had chicken pox,'' remembers Adelaide. And she was surrounded by accomplished relatives. Back came a cable: ''BUY WHOLE SHOW.'' [6], "Shaykha Fariha al Jerrahi | WISE Muslim Women Shaykha Fariha al Jerrahi", https://en.wikipedia.org/w/index.php?title=Fariha_al_Jerrahi&oldid=1096401510, This page was last edited on 4 July 2022, at 07:16. In 1974, the two formed the Dia Foundation - the name is Greek for catalyst - subsidized solely by Philippa's shares in Schlumberger Ltd. Dia soon became one of the largest and most venturesome nonprofit funding sources in the field of contemporary art, buying up the works of certain artists -more than 125 of John Chamberlain's sculptures of crushed auto parts, for example - and sponsoring projects that range from Walter de Maria's permanent ''earth sculpture,'' comprising 280,000 pounds of dirt that fill a gallery in a SoHo building, to the vast ''Art Museum of the Pecos,'' in Marfa, Tex., a compound of more than 340 acres which has deployed an array of indoor and outdoor works by Donald Judd and other artists. I never really wanted to collect, but the idea of a foundation that would help artists build excited me. Fariha Fatima al-Jerrahi (born Philippa de Menil; 13 June 1947) is the spiritual guide and current Sheikha of the Nur Ashki Jerrahi Sufi Order in New York City. A former film maker, short-time magazine publisher, pilot and hell-raiser who never finished college, Fran,cois - who has his father's baby face - is now a hard-working architectural student at The Cooper Union. He remembers admiring a photograph by Henri Cartier-Bresson at Adelaide's house. She said. [7] Her first husband (whom she married on May 14, 1969, in Harris County, Texas) was Italian anthropologist Francesco Pellizzi (born July 14, 1940). Schlumberger, Dominique. "I dreamed of preserving some of the intimacy I had enjoyed with works of art," she wrote. Staff Interface | ArchivesSpace.org | Hosted by LYRASIS, Art and soul of GZ [ground zero] imams holy-pal heiress, 2010-09-27. [7], The de Menils were particularly interested in modern European art, and a core strength of the collection was the many Cubist, Surrealist, and other Modernist works they acquired. In fact, all five de Menil children - Christophe, Adelaide, Georges, Francois and Philippa - have inherited their parents' interest in art and architecture. The chapel, opened in 1971, is an all-faith center, a ''no man's land of God,'' Dominique says. ''I was interested in art, but shy and out of contact with the art world. They gave major gifts of art to the school, bought land to expand the campus and hired Philip Johnson to design new buildings. Dominique gracefully dismisses the criticisms of the building - planned by her and John since the early 1970's - primarily voiced by Christophe and Adelaide, who wanted a designer of more weight than Renzo Piano. "[8] Piano's understated design for the Menil Collection echoed the architecture of the surrounding bungalows, which had been painted gray by the Menil Foundation, and featured a roof of canopy leaves that allowed filtered natural light to fill the galleries. battle of omdurman order of battle. [29] The Foundation offered the CarterMenil Human Rights Prize, sponsored by the Rothko Chapel, to organizations or individuals for their commitment to human rights. A local citizen once called John up and railed against him as a ''red'' for his support of King. An ongoing project that seeks to catalogue and study the depiction of individuals of African descent in Western art, it is now under the aegis of Harvard University. At the suggestion of the Houston designer Howard Barnstone, who might be called the de Menils' architect-in-residence, the houses have mostly been painted a uniform gray, so that the museum and the bungalows together have the aspect of a small, but by no means unpleasant, company town. [5] Eventually, the de Menils and their entourage became so much a part of the St. Thomas scene that ''it became difficult to operate without stepping on one of their toes,'' says Father Patrick O. Braden, president of the college at the time. Adelaide wished that the starkly modern house, designed by the then-Mies-disciple Philip Johnson, could be like everyone else's. (For their honeymoon, he took Dominique on a bus trip through Morocco.) 1974 by art dealer Heiner Friedrich and his wife, art patron Philippa de Menil. The founders of the Dia Art Foundation have filed suit to stop the foundation from selling artworks in Dia's collection. They maintained residences in New York and France but settled in Houston, where John would eventually become president of Schlumberger Overseas (Middle and Far East) and Schlumberger Surenco (Latin America), two branches of the Houston-based oilfield services corporation. German gallery owner Heiner Friedrich, Fariha Friedrich (ne de Menil) and Helen Winkler Fosdick founded Dia. Notes Dominique's younger sister, Sylvie Boissonnas -also an art collector and patron, who lives in Paris, ''My father was of Gide's atheist generation, and Dominique was very spiritual. After moving to Houston, the de Menils quickly became key figures in the city's developing cultural life as advocates of modern art and architecture. Heiner Friedrich is an art dealer and collector of minimal art and conceptual art. ''At Marseilles, Mother wrapped us in our loden coats to conceal our spots, so the authorities wouldn't detain us.'' Dia was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. She has now turned her East Side carriage house into a fashion atelier. He later realized who had delivered the manuscript and wrote her a note.'' While fostering bonds with the greater Sufi & Muslim American communities, the role of women in Islam and spiritual ecology have been of special importance to her message. ALTHOUGH DOMI-nique's children function in somewhat lower gear, they also have made ambitious forays into - and even careers in - the arts. Sheikh Muzaffer Ozak's most prominent disciples and successors in North America were Tosun Bayrak, Lex Hixon, and Philippa de Menil. And there is no question that Houston's cultural establishment takes the new museum quite seriously. Also on display in Richmond Hall are four examples of Flavin's "monuments" to V. Tatlin, created between 1964 and 1969.[1][36]. Indeed, Adelaide has recently given the museum an important piece from her collection. As a subscriber, you have 10 gift articles to give each month. After Sheikh Nur's passing, she would take on the guidance of the Nur Ashki Jerrahi Sufi Order and it's circles of dervishes around the world. Not helpful? You might try using the wildcards * and ? John and Dominique de Menil also shared an interest in photography, inviting photographers to come to Houston to document events in the city and exhibit their work. Perhaps the closest of the children to her late father, who was an outspoken liberal drawn to minority causes, Adelaide has developed an interest in the lives of the ''bonackers,'' the vanishing tribe of fishermen and their families native to the eastern tip of Long Island. [35], De Menil's final project was a 1996 commission of three site-specific light installations by Minimalist sculptor Dan Flavin for Richmond Hall, a former Weingarten's grocery store in Houston. 1576-1584 - Claude d'Anglure, nomme par le cardinal de Vaudmont, vque de Toul et maintenue par le duc de Lorraine, Charles III. (To help finance this expensive venture, she sold a number of important paintings last year at Sotheby-Parke Bernet, realizing more than $2 million. The building, primly sheathed in what one Houstonian calls ''Protestant gray clapboard'' (probably a first for a museum in this country), has on the ground floor exhibition spaces set in a landscaped garden. [1], In addition to becoming known as collectors and patrons of art, John and Dominique de Menil were vocal champions of human rights worldwide. And Donald Judd has gone public with vociferous denunciations of the foundation, which is now but a shadow of itself. And early last year, facing an inquiry by the New York State Attorney General into its management practices - with a debt of more than $6 million, a projected budget of $5 million, but no visible source of income - Dia began to pull in its horns. Spurred in part by the lack of a real arts community in Houston,[13] in the 1950s and 1960s the de Menils promoted modern art through exhibitions held at the Contemporary Arts Association (later the Contemporary Arts Museum Houston), such as Max Ernst's first solo exhibition in the United States, and the Museum of Fine Arts, Houston, to which they gave important gifts of art. Called ''well logging,'' the process became the basic asset of the company, eventually proving indispensable to oil companies around the world. Today, while Dominique still administers the Institute for the Arts, and contributes to such programs as fellowships for graduate students in art history, the de Menil presence there has shrunk considerably. [12] The de Menils filled their home with art and hosted many of the leading artists, scientists, civil rights activists, and intellectuals of the day. '', See the article in its original context from. Of the siblings, she has also undertaken the most wildly ambitious involvement with the arts, as patron of the financially troubled Dia Foundation, whose aim is to support venturesome artists' projects of a nature or scale that make it difficult to obtain other backing. Inheritance (oil) 20th-century art Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Icon Link Plus Icon; Overview Newswire RobbReport (Spookily enough, another dwelling she had built on the same site about 20 years ago met the same end.) But I think it will turn out superbly.''. [18] The de Menils supported Rice University astrophysics professor Donald D. Clayton for a two-week residence in Rome in JuneJuly 1970 for daily work with Rossellini,[19][20] conceiving a film about cosmology that did not advance to filming but that was published in 1975 as a personal memoir of a life discovering the universe. ''When they didn't control things, they stepped aside,'' says Philippe de Montebello, now director of the Metropolitan Museum of Art, who took the job in Houston after Sweeney. ''It was very grand and typically him,'' says Adelaide. Expanding. Flowering, in a way. The work these artists made changed, or at least questioned, the nature of art: what it. Like the Rockefellers, the de Menils are distinguished by the variety and scope of their art interests. The most conservative of the children, and the most involved with family tradition, he uses - in France - his title, Baron, bestowed on the de Menil family by Napoleon. Hopps, a well known presence in the field of contemporary art, comes from California and made a reputation early on as director of the esteemed Pasadena Museum of Art. Following Ozak's death, the tariqa was split into the Nur Ashki Jerrahi Sufi Order and the Jerrahi Order of America, with the former reflecting a more "universalistic" orientation, and the latter a more . Menil Archives, The Menil Collection, Houston. I try to stay close to them, and as time goes on, we are more and more in touch.'' [1] Contents 1 Biography 2 See also 3 References 4 External links Biography [ edit] She was born in 1947 into a socially committed, eclectic French Catholic family in Houston, Texas. Its basis was a device that was lowered by cable into the ground to measure the electrical resistance of formations in the earth. Yet for all her protests, her modest, low-key bearing conceals the drive of a captain of industry, and one of her associates says, ''The phrase 'steel butterfly' was coined for her. Anyone can read what you share. Coordinated by civil rights activist and later U.S. key biscayne triathlon 2022 .''. The de Menils' involvement with blacks has not only been on the political level. ''Mother lives at two levels,'' says Georges. De Menil's largesse had created a kind of refuge from the speculative market in art then taking shape in New York, and a new canon of monumental, spiritually charged epics: a SoHo gallery floor buried, permanently, wi th black ear th; a hollowed-out volcano, transformed into a science-fictional archaeo-astronomical laboratory for perceptual flight; a Promethean bed of nails poking dangerously into the desert sky, awaiting some gargantuan penitent. WHERE THE DE MENIL MONEY COMES FROM. He did. Pianissimo: The Very Quiet Menil Collection., Holmes, Ann, and Patricia C. Johnson. A new board was appointed. ''It's absolutely crazy what they did,'' says one New York dealer. The de Menil museum in Houston, with its big main-floor display space and a second floor for open storage of art objects, embodies her vision of a museum as a place of ''beauty and enchantment, even before it's a teaching institution, a place where things can be seen on multiple levels, with a relationship made between the objects and the way they are presented.'' On the other hand, she can be imperious. They are men mostly, with big egos and big ideas. Byzantine Fresco Chapel, Passionate Voices: Unveiling of Love, The [lecture by Fariha de Menil Friedrich], 2007-03-24, 2007-08-07, Eine multikulturelle Familie macht Kulturpolitik, 1997-10-02, Magnificent milestone: The Menil turns 20, 2007-06-03, Menils Everyday People captures human detail, 2007-04-12. TimesMachine is an exclusive benefit for home delivery and digital subscribers. [2], Sheikha Fariha al-Jerrahi leads devotional prayers, ceremonies of divine remembrance, and provides spiritual guidance to initiates from her seat at the Dergah al-Farah in downtown Manhattan. A European artist, who is a friend of Adelaide's and Ted's, remembers making an appointment through them to see Dominique on a visit to Houston. ''Each branch of the Schlumberger clan has a wing,'' Christophe explains. One of the world's largest corporations - its stock was worth nearly $10 billion at the end of 1985 - it employs some 73,000 people in more than 100 countries. 2003), the world's largest contemporary art museum, located in Beacon, N.Y. A converted factory, it contains unusually large unbroken spaces, ideal for exhibiting the frequently monumental and often minimalist (see minimalism) art and large-scale installations Dia favors. The Fathers, too, can now see both sides. This in turn enabled the inventors to determine the location of an oil deposit. (Such involvements were not confined to Houston, however; among other affiliations, John was a trustee of the Museum of Modern Art and the Museum of Primitive Art in New York.) Married to Susan Silver, a Barnard graduate (their son was born in January), he collects contemporary art, furniture, craft objects of the turn-of-the-century Vienna Secessionist school and rare books on art and architecture. Her second husband is. Schlumberger Ltd. - tHE Source of the de Menil family's fortune - was established in 1934 by Conrad Schlumberger, Dominique de Menil's father, and Marcel Schlumberger, her uncle. Though John was born to a titled military family, he grew up poor, thanks to the efforts of his father to pay off a relative's debt. I could have worked with Dominique.''. Francois's taste in art is more of a mixed bag than Christophe's, ranging from works by Matisse, de Chirico, Picasso and Rothko to a flock of life-size fake sheep by the French artists Francois-Xavier and Claude Lalanne. Their collection was motivated by their shared interest in the many ways individuals over different cultures and eras reveal through art their understanding of what it means to be human.[7]. After the Nazi invasion of France, Dominique fled Paris with her then-three children (Georges was a babe in arms), made her way to Spain and at Bilbao boarded a small freighter for Havana. Following the outbreak of World War II and the Nazi occupation of France, the de Menils emigrated from Paris to the United States of America. Though the collection has strengths in Mediterranean antiquities, Eurasian and European artifacts, African art, Cubism, Surrealism and contemporary American and European works, it lacks a museum ''profile.'' Ferrocement and steel, engineered so as to reflect changing light philippa de menil with great sensitivity is no question that 's! Have sold off a good deal of it over the years, diversified... 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